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feat(studio): give the clips on a track one automation lane row - #3214

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wa-18h-shared-rows
Aug 13, 2026
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feat(studio): give the clips on a track one automation lane row#3214
vanceingalls merged 391 commits into
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wa-18h-shared-rows

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Every clip on a track shares one automation lane row, rather than each clip growing its own. A track has one volume, and a row per clip made that look like several.

Includes the design record for why effects stay on the clip while lanes belong to the track.

🤖 Generated with Claude Code

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Clean architecture. The per-track lane grouping is well-designed — SSOT in groupAutomationLanes, stable React keys via laneGroupKey, correct multi-clip SVG positioning.

No blocking issues.

How the key concerns are handled:

  • Multi-clip resolution: groupAutomationLanes unions by label. First clip fixes row index; later clips append new properties. Entries per group are in element order.
  • Overlapping clips: Each clip draws its own SVG at its own leftPx/widthPx — overlapping visuals in the same row, correct for per-clip gestures.
  • Lane identity stability: React keys use group.key (the label string), stable under selection changes. No remount/flicker.
  • SSOT: One lane per track is encoded in exactly one place (groupAutomationLanes). All three call sites (header, slot, height) flow through it.

Non-blocking observations:

  • Design record status is stale: says "Not yet implemented" but this PR IS the implementation.
  • groupAutomationLanes is computed independently at 3 sites without memoization. Cost is Map iteration (not parsing — attribute text is cached), acceptable for typical track sizes but a useMemo in the Slot component would help if many-clip tracks become common.
  • laneGroupKey delegates to automationLaneLabel — the display label IS the React key. Elegant but means a label format change remounts every row. Documented and intentional.
  • The holdingOpen trick in useTimelineRowHeights is well-commented. Safe today since trackHeights only uses clipId for the expandedClipIds.has() check.
  • No test for clip deletion from a multi-clip track — grouping/height shrinkage after removal. May be covered by integration tests elsewhere.

LGTM.

Review by Miga

vanceingalls and others added 24 commits August 13, 2026 00:27
Table column widths had drifted out of alignment with oxfmt's own rules,
failing format:check and blocking the Preflight gate every downstream
branch inherits. Whitespace only, no content change.
…psOverlap's negative duration

\b treats `_` as a word character, so \bbed\b never matched bed_01,
music_bed_loop, or theme_song, and \bvo\b/\bvox\b/\btts\b had the same gap —
an underscore-separated bed classified as "unknown" and could end up offered
as its own carve source. Replaced the short hints with a boundary that
actually excludes letters and digits on both sides.

clipsOverlap computed end = start + duration without guarding sign, so a
negative duration put end before start — an interval that does not describe
anything, and one specific case showed it silently dropping a real overlap
(a shorter, earlier broken end rejected a clip that genuinely contained the
point). Duration clamps to zero instead: a clip cannot un-play time, and a
zero-length clip at its start is the sane reading of "duration nobody wrote
down as positive."

Review by Miga (PR #3212).
The 20s margin (already once widened for the same reason) is timing out in
CI's full-monorepo Test run — the resetModules()+fresh-import render this
test needs is uncached and competes with every other package's test suite
for the same worker pool, and the same test passes in well under 2s
standalone. Went to 45s rather than re-tuning to whatever number happens to
clear the current CI load, since that number moves every time CI gains a
package.
Two auto-apply effects both fire when sourceOptions.length === 1: the
multi-candidate effect only guards length === 0, so a single candidate
passes it too, and the single-candidate effect passes its own guard right
after — both compute the same sources list and both call setCarve, so the
common case (one narrator, one bed) triggered two decodes, two FFT runs, and
two concurrent attribute writes for one decision.

The multi-candidate effect now defers to its sibling for exactly one
candidate, which already has its own detailed handling for that case.

Review by Miga (PR #3213).
* feat(core): carve against every voice over a bed, always dynamically

A bed usually runs under a whole sequence — a narrator, an interview answer, a
second presenter — and carving against one of them left the others fighting it.
`source` becomes `sources`, and `mixCarveSources` sums every voice onto the BED's
clock before anything is measured. That is what keeps one analysis sufficient: the
chain is fixed, so there is no per-voice filter to switch between, and bands drawn
from all the speech there is with envelopes that rise wherever any of it happens
answer the actual question — where and when is speech masking this bed.

Summed rather than averaged: two people talking at once mask more than either
alone. Audio before the bed starts is dropped rather than folded in at zero, since
it plays over nothing and shifting it would put a cut where there is no voice.

`dynamic` is gone. A fixed depth thins the bed through every pause, and once both
have been heard there is no reason to want it, so every carve follows the speech.

Two helpers the panel and the headless script now share instead of each carrying a
copy — two definitions of "what does this name suggest" drift, and then the two
disagree about which track is the voice:

- `classifyAudioName` reads a track's kind from its id and filename together.
  `unknown` is deliberately common: treating an unrecognised name as "not a voice"
  would hide the one track somebody needs to pick.
- `clipsOverlap` keeps out a voice that never plays while the bed does. An unwritten
  duration counts as unbounded, not zero — refusing a clip whose length the
  composition leaves to the media would drop the commonest case there is.

Files written before this still load: a single `source` reads as a one-voice list,
a stored `dynamic` is ignored, and an absent attribute means the defaults whole.

Co-Authored-By: Claude Opus 5 (1M context) <noreply@anthropic.com>

* fix(core): stop \b from missing underscore-separated names, guard clipsOverlap's negative duration

\b treats `_` as a word character, so \bbed\b never matched bed_01,
music_bed_loop, or theme_song, and \bvo\b/\bvox\b/\btts\b had the same gap —
an underscore-separated bed classified as "unknown" and could end up offered
as its own carve source. Replaced the short hints with a boundary that
actually excludes letters and digits on both sides.

clipsOverlap computed end = start + duration without guarding sign, so a
negative duration put end before start — an interval that does not describe
anything, and one specific case showed it silently dropping a real overlap
(a shorter, earlier broken end rejected a clip that genuinely contained the
point). Duration clamps to zero instead: a clip cannot un-play time, and a
zero-length clip at its start is the sane reading of "duration nobody wrote
down as positive."

Review by Miga (PR #3212).

---------

Co-authored-by: Claude Opus 5 (1M context) <noreply@anthropic.com>
#3212 (accidentally squash-merged into this branch instead of main) changed
HfCarveSettings from a single `source` + `dynamic` toggle to a `sources`
list with dynamic mode removed outright — the multi-voice UI consumer that
goes with that shape lands in the very next PR, so this branch was left with
a type that no longer matched its own code.

Minimal port, not the multi-voice redesign that PR does properly: the
"Listen to" picker and analyse() treat sources[0] as the one voice this UI
still understands, and every dynamic-mode branch (the automated envelope
lanes, the toggle, the checkbox) is gone along with the field — a carve is
now always the static value the analysis computes, matching what the type
change made permanent. Test suite trimmed the same way: the automation-lane
and toggle tests covered behavior that no longer exists.
# Conflicts:
#	packages/studio/src/components/editor/propertyPanelAudioFxGroup.test.tsx
#	packages/studio/src/components/editor/propertyPanelAudioFxGroup.tsx
#	packages/studio/src/components/editor/propertyPanelFxSection.tsx
# Conflicts:
#	packages/studio/src/components/editor/propertyPanelAudioFxGroup.test.tsx
#	packages/studio/src/components/editor/propertyPanelAudioFxGroup.tsx
#	packages/studio/src/components/editor/propertyPanelFxSection.tsx
#	skills-manifest.json
#	skills/hyperframes-audio/SKILL.md
#	skills/hyperframes-audio/references/attributes.md
#	skills/hyperframes-audio/scripts/carve.mjs
Base automatically changed from wa-18g-carve-module to main August 13, 2026 09:36
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Fallow audit report

Found 3 findings.

Duplication (2)
Severity Rule Location Description
minor fallow/code-duplication packages/studio/src/player/components/TimelineAutomationLaneSlot.test.tsx:61 Code clone group 1 (19 lines, 2 instances)
minor fallow/code-duplication packages/studio/src/player/components/automationLaneData.test.ts:211 Code clone group 1 (19 lines, 2 instances)
Health (1)
Severity Rule Location Description
minor fallow/high-cognitive-complexity packages/studio/src/player/components/TimelineTrackHeader.tsx:406 'TimelineTrackHeader' has cognitive complexity 19 (threshold: 15)

Generated by fallow.

@vanceingalls
vanceingalls merged commit 9b18fa7 into main Aug 13, 2026
39 of 45 checks passed
@vanceingalls
vanceingalls deleted the wa-18h-shared-rows branch August 13, 2026 09:47
vanceingalls added a commit that referenced this pull request Aug 13, 2026
Fixes a pre-existing aria-owns mismatch surfaced by the merge: the
property-lane header cell used the combined caret id (clip lanes +
track automation lanes) while the row wrapper's aria-owns still used
the single un-combined id, so they never matched.
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2 participants